like Pocahontas! But with a shark." Her hyper-accessorized, ultra-feminine style, full of cultural references that send simultaneously to the world of burlesque and the Middle East, proposes an entirely new image in late 20th century queer iconography. Un post condiviso da Cristina La Veneno don't know what I am honestly. Her charisma and exceptional beauty guarantee her the attention of the public, increasing day by day the interest around her life.
This is the turning point for the career of Cristina La Veneno (a name given to her after a confrontation with a partner by her faithful friend Paca La Piraña), whose popularity begins to grow and evolve, soon leading her to fame. Having come into contact with the Madrilenian prostitution environment, she began working as a sex-worker in the parque del Oeste area, immediately distinguishing herself by her formidable confidence and dazzling personality. It is in this context that she is immortalised in the reportage on transsexual prostitutes by journalist Faela Sainz, aired on Pepe Navarro's nightly programme Esta noche cruzamos el Mississippi.
She initially adopted the pseudonym Tanya, which she later changed to Cristina to pay homage to a friend who had passed away. Finally free to dress as her individual true-self, she began performing in drag shows and began transitioning in 1991, on her return from a trip to Thailand. Marked by her conflictual relationship with her mother and victim of countless violence and abuse in both the family and social spheres, she soon finds the strength to escape from this condition by moving to Madrid.
Un post condiviso da Cristina La Veneno in 1964 in Adra, Andalusia, Cristina Ortiz Rodríguez grew up in a discriminatory and culturally unprepared environment to accept her personality and to understand the malaise associated with gender dysphoria.
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